John Martinek
Sketchbook Page Sketch in Vienna Drawing From Budapest Florence Riomaggiore Finale Ligure Seville Barcelona Sketches around the Colosseum Samos Street Red Door in Samos Roman Colosseum Samos Tree Boats in Samos Studies Venetian Fish Market Tintoretto Study Sketch of Iowa City Sketch of MacBride Hall Sketch of Iowa Avenue Sketch of Iowa Avenue and Self Portrait Madison Pub Sketch Sketchbook Page Coffee Shop Sketchbook on Trip to Belgium Kitchen Table Still Life Landscape Study Blind Contour Studies Pickle Drawings Sketchbook Figure Study Sketchbook Figure Study Sketchbook Figures Sketchbook Figure Sketchbook Figures Sketchbook Figures Sketchbook Figures Sketchbook Still Life Sketchbook Still Life Sketchbook Still Life Sketchbook Still Life Sketchbook Still Life
Sketchbooks
Something I wrote in my sketchbook while travelling in Europe in 1995...

While traveling, drawing has provided a sense of continuity and regularity amidst constantly changing landscape and culture. As a traditional process it provides a much needed sense of regularity through time, a connection to my past as well as the historical past........ And if nothing else the pure simplicity of a landscape, figure, or still life and the act of drawing them remains as a great escape back into myself and my world. It is basic, solid, pure, and reliable. My subject is everywhere. One of the most often repeated thoughts that other travelers share is the idea that what I am doing is much better than photography. It does plant in my memory the sense of a place. When I am forced to look at and find the color of clouds, sky, grass, trees, and buildings, the drawing struggle firmly plants them in my head. Looking at the drawings brings back a rush of memory and sensations.
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